These German soldiers, members of a crew of armored or
mechanized infantrymen are, for most donned of the reversible fight
holding distributed for the winter 1942-43, that arranges a white face
and a face grey mouse. Here they have been represented with the visible
white face, in accordance with the photographs of which are inspired
the argument of the playlet to which they are destined. On the Russian
forehead within the
of Manstein von, at the time of the defeat of Stalingrad and the
serious consecutive crisis (December 1942 to March 1943.)
The white-grey effect, in canvas of doubled cotton
of wool garbage, is composed of one parka provided with a large hood,
of a retained trousers inside by suspenders and a hood.
To the feet, our grenadiers and our gunners nearly have all shoed a
pair of boots "big cold weather" type 1942, especially conceived for
the Russian winter. The lower body and the sole are in fawn or
blackened leather and the superior stem made of grey felt. To the
hands, they carry essentialy the gloves of wool knitted of grey color,
in standard endowment. Most
represented here, protect themselves the neck and the ears with a
pass-mountain (the
The essential of the hairdressings raised by our
characters, to know except the helmeted infantrymen and the colonel in
Schirmütze
(cap of officer to rigid visor), consist in different models of
Feldmütze
(hairdressing of country in the shape of marble). For the officers it
is about the
Feldmütze 1938,
traced on the troop's
Feldmütze
1934,
but achieved in thinner cloth and raising some pipings in thread of
aluminum around the summit and on the curvature of the frontal headband.
On this model the frontal headband is sewn,
besides it is decorated with the national rosette and a braid in V
reversed to the color of weapon (the white designates some infantrymen,
our gunners of assault are always used like supports of infantry).
although a guideline of September 1942 abolished the port of the braid
to color of weapon on the headband of all marbles of officers as the
troop, here it has been kept on the figures, first because it brings a
note of color, and then because the official interdiction was at the
time all recent where our subject situates the events, and
that the military situation to the forehead was too critical to worry
of the prescriptions of the bursary. Proof in is that the braid will be
even visible in the headquarters of the
Grossdeutschland
during the summer 43, then...
The non-commissioned officers and men of the rank
have here the
Feldmütze
of troop of the model 1942, that makes the transition with
the cap to visor, typical of the period 1943-45. The
Feldmutze 1942
recovers, like the previous model 1934-35, a headband closed by two
buttons on the front that permits in winter to fold back the fold on
the ears. It doesn't have braid of weapon and, the rosette is brought
back the just headband above under the national eagle.
Besides, it carries itself well horizontal on the
chief. It is delivered between July 1942 and May 1943 but, coexist with
the model 1934.
Références:
- Special edition "Uniformes" : "The Wehrmacht" under the direction of
Eric lefèvre (1979) - volume 2: Uniforms and equipment
standards of the earth army (Heer.)
- "German Army Uniforms and Insignia 1933-1945" by Brian L. Davis.
- Osprey Men-at-Arms: "The German Army 1939-1945" - in five volumes:
MMA n° 311, 316, 326, 330 and 336 (or the special edition
compiling the five previous numbers.)
- And of course, the french magazine
Militaria
Magazine
that comes back periodically on the topic. In its former
numbers, you will find a crowd of articles dedicated to the
generalities and particularities of the uniform of the
Landser
(to
consult the general index of the magazine.)
The
Feldgrau in all its states!
Here are several returns to achieve some
Feldgrau
in painting, of which one becomes aware of the extreme diversity of the
nuances while thumbing magazines of uniformologie like
Militaria Magazine.
The references of color correspond to the colour chart (very
rich) of the acrylic paints
Prince
August
very known of the figure painters.
| -
Feldgrau
"standard": |
"Grey
neutral"
n°160 + "Grey middle" n°111 - "Grey middle"
n°111 + "Green grey" n°101 - "Grey stone" n°104
+ "German beige camouflage"
n°103
- "Grey middle" n°111 + "German Green
camouflage " n°99. |
| -
Feldmütze
38 (elegant Feldgrau of
officer): |
"Green panzer"
n°88 + "German beige camouflage" n°103 +
"charcoal
grey" n°161. |
| - Feldmütze 42
(NCO and troop,
in plain sheet): |
"Green
black Empire" n°100 + "Green grey pale" n°106 + "Brown
green"
n°114. |
The
other hues used for the sartorial effects:
| -
Boots of the "Oberst"
(colonel) Scholtze: |
"Black"
n°169 + "Yellow khaki" n°120.
To solve in "Agate"
n°110. |
| -
Buckle of belt: |
"Green
grey" n°101 + "Grey stone" n°104 or "Mat
aluminimum" n°151 + "Green blue" n°76. |
| -
Bandoleer MP 40: |
"Ochre
green" n°119 + "Uniform Japanese" n°117 + "Brown green"
n°114. To solve with "Green
yellow" n°112 + "Yellow camouflage" n°116. |
| - Steel
helmet whitewashed of white: |
"White"
n°1+ "Grey blue dark" n°157. |
| -
Doubled cap made of fur of rabbit: |
"Uniform
German" n°85 + "Neutral grey" n°160 + "Brown Royal
Navy" n°146. Fur is painted of a
mixture of: "White"
n°1 + "Burnt umber" n°148 + "Grey middle" n°111. |
| -
String hood: |
"White"
n°1 + " Desert yellow" n°125
or "Brown
yellow" n°122 (example of white
variant, more luminous, that decides on holding.) |
| -
Cover-helmet made of linen: |
"White"
n°1 + "Ochre green" n°119. |
| -
Blackened leather of the boots "big cold weather": |
"Black"
n°169 + "Clear sand" n°7. |
| -
Fawn
leather of the boots "big cold weather": |
"Golden
brown" n°126 + "Orange brown" n°131 + "Clear Brown"
n°129. To solve with "Ochre
yellow"
n°121 + "Flesh tanned" n°20 + "Yellow khaki"
n°120. |
| -
"Red"
leather (carry-cards satchel): |
"Leather
brown" n°138 + "Mat brown" n°140 + "Leather red"
n°136. To solve in "Clear
brown"
n°129. |
| -
Feldmütze
38 1 of the
"Major" (commander) in
striped scarf (cloth of quality, bluish
nuance): |
"German
Uniform" n°85 + "Grey light-blue" n°156. |
| -
Gloves of wool 2: |
"Dark
grey" n°161 + "Black" n°169. |
| -
Gloves of the "Major" 2: |
"Olive
drab" n°91 + "Khaki brown" n°115. To solve in "Middle
grey"
n°111. To shade in "Black"
n°169. The sewings are
underlined to oil with Titanium
White + Natural Umber +
Burnt
Umber. |
| -
Gloves
of the
"Oberst" (colonel) Scholtze 2: |
"Olive
drab"
n°91 + "Dark grey"
n°161. |
| -
The
national eagles of the marbles are drawn to Titanium White
(oil painting) on a
very dark black green bottom. The red point in the middle of the
rosette is also aimed to oil with a brush to plant out. |
| -
Coat
of the
"Feldwebel" 4: |
"Uniform
German" n°85 + "Grey blue dark" n°157 + "Uniform
Japanese"
n°117. To solve in "Grey
light-blue" n°156. To shade in "Green
black Empire" n°100 + "Burnt Umber" n°148. |
| -
Coat of
the "Oberst"
(colonel)
Scholtze: |
"German
green camouflage" n°99 + "Green grey" n°101 + "Grey
blue dark"
n°157. To solve in "Green
blue" n°76. |
| -
Grey trousers: |
"Camouflage
German brown dark" n°150 + "Neutral grey" n°160. |
| -
Reverse of
parka, interior of hoods: |
"Grey
basalt" n°162 + "Green grey" n°101 + "Black"
n°169. To solve in "Flesh"
n°20,
n°17 or n°6. |
| -
Schirmütze of the "Oberst"
(colonel) Scholtze: |
"Uniform
German" n°85 + "Green 1st Empire" n°72 + "Neutral grey"
n°160. |
| -
White holdings 3: |
"White"
n°1 + "Green grey" n°101. To
solve in "Agate"
n°110.
To shade in "Burnt Umber"
n°148. |
| -
Stem made
of felt of the boots "big cold weather": |
"Burnt
Umber" n°148 + "White" n°1.
The dotted lines are painted in: "Sand
clear" n°7 + "White"
n°1. |
The
hues
used for the painting of the weapons:
| -
Bakelite
of the MP 40 carcass: |
"Brown
Royal Navy" n°146 + "Chocolate brown" n°149 + "Black"
n°169. To solve in "brown
beige"
n°135. |
| -
Wood of the Mauser 98k rifle: |
"Ochre
brown" n°127 + "Clear brown" n°129 + a little part of "Mat
brown"
n°140. To shade in "Black"
n°169 + "Chocolate brown" n°149. Veinings of wood: "Mat
brown"
n°140 + "Chocolate brown" n°149 underlined with a
mixture of "Clear
brown" n°129 + "Ochre yellow" n°121. |
| -
Suspenders of the rifles and guns machine gunner: |
"Mahogany"
n°139 + "Burnt Umber" n°148 + "Ochre green"
n°119. To solve "Base
Flesh" n°17. |
| -
Metal of
the weapons: |
"Steel
natural" n°178 + "Gun metal gray" n°179.
To solve in "Money"
n°171.
To shade to the oil painting in "bluish
Black" (Blue Black of Winsor & Newton.) |
| -
Plates of
crosier of the MP 40: |
"Black"
n°169 + "Beige brown" n°135. |
1: The red braid on the
headband of the Feldmütze 38 of the
superior officer "Major" (commander) some middle indicates a gunner.
This one wears to the neck a checkered, non authorized civil scarf. His
pocket-size lamp, hung by a paw to a button of the parka, kept a red
filter for the night. So that this element detaches itself well, it is
necessary to surround it of a black feature, and to surround it with a
blank metallic flange. This part has been retaken from the oil
painting, at a time to refine the detail, and to give a satin effect.
2:
In painting the knit appears by
feature sped along longitudinal, edged of a straightforward sunny spell
of the basis grey, in order to accentuate the effect of relief.
3:
The Feldwebel in coat carries as
for him of the mittens of Feldgrau sheet, where only the inch and the
index are individualized, this last to push on the trigger of the
weapon. The mittens are ample enough to be threaded over the gloves of
wool.
4:
As a matter of principle the
white is not ever applied pure but broken with a suspicion of another
color. The white of a cloth must remain therefore hot, it is necessary
to attach him a little part of brown,
of khaki,
or even of "Green army".
On the other hand, the
painting on a helmet keeps a cold, metallic aspect, and for that to
make must be cut with blue
or blue
grey. A lot of
nuances of white are accessible anything that by the choice of the
break hue and also by the dosage that is made some. Attention however
to not to exaggerate the colorful contribution, otherwise one won't
ever recover the dominant of white, even while solving very strong the
bones (that is to say that the white "would be colored" definitely.)
The sewings are underlined with the "Neutral
grey" n°160,
without worry of discretion. It gives a bigger presence to the garment
while breaking the monotony of the white. Every dark feature is edged,
on a side at least, with a feature of white very solved (pure or added
of color "Flesh"),
what has
the effect of melting the shade better, and to correct the possible
skids.